Artist Statement

My eye is drawn to the physical world, how light and shadow play on surfaces, the way nature cycles between growth, decay, and renewal. I observe the beauty of imperfections, how objects change in varying light, and at the nexus where different surfaces meet. I have been inspired by these transformations my entire career.

The dimensions of my sculpture varies from small intimate experiences, to large pieces that interact with the environment. I prefer to work in steel, stone, wood, and paper, all of which allows me to explore my ideas. I begin with an idea and as it develops, it ultimately evolves and changes. This is the process that drives me.

My most recent outdoor sculpture is “Furrow.” It was inspired by the plowed farm fields on the North Fork of Long Island. I was attracted to the way light moved across the surfaces of the plowed earth, and by the vanishing points of each row in the distant fields. It is my hope that as people observe similar fields, they may appreciate nature’s forms and abstractions—its weight and the play of light and that when they view any of my works they see the world through a different eye.

Critics Statements

"What IS A Landscape" Cutchogue Free Library ,Curator Amei Wallach

"John Wittenberg took his hint from one of the furrowed fields that bracket winter on the North Fork. He was transfixed by how the light landed and where, how it defined the clods of earth that plows detached and weather disturbed. His view is up close and it is personal. He’ll single out one section of one furrow in all its complexity of changing shape and surface, joining shards of wood into life-sized and larger sculptures that hide the intricacy of their construction.  The minimal simplicity of both his sculpture and his paper pulp creations is deceptive. They emulate powerful forces.  They probe the processes by which nature acts and is acted upon. He makes handmade paper that converts two dimensions into three, often adding something from nature – stones, perhaps, mica – and then he watches what happens, and thinks about it, and lets nature take its course."

Amei Wallach

Curriculum Vitae

EDUCATION

  • 2019 - 2020

    Dieu Donne, Community Studio, Brooklyn NY

  • 1972 - 1974

    Apprenticed to sculptor, Paul Aschenbach, Hinesburg, Vermont

  • 1973

    Boston Museum School of Fine Arts, Boston, Massachusetts

  • 1968 - 1972

    Bachelor of Arts, University of Vermont, Burlington, Vermont

EXHIBITIONS

  • 2019

    East End Arts Members Exhibition, Riverhead NY 2023

  • 2019

    East End Arts Gallery, Juried Show, Curators' Pick 2022

  • 2019

    Glen Hanson Gallery, Southold NY, 2022

  • 2019

    Center for for Environmental Education and Discovery, Brookhaven NY, 2022

  • 2019

    Detour III, East End Arts Gallery, Riverhead NY, 2022

  • 2019

    Natali/Keys Gallery, Greenport NY, 2022

  • 2019

    VSOP Projects, Greenport NY, 2021

  • 2019

    What Is A Landscape, Cutchogue Free Library, Cutchogue NY, 2021

  • 2019

    Guild Hall Members Exhibition, East Hampton, NY 2020

  • 2019

    Materiality: Hand Papermaking in the Age of Isolation, North American Hand Papermakers, Juried Exhibition. 2020

  • 2019

    Of Pulp and Paper, Selections from the Community Papermaking Studio, 2020

  • 2019

    East End Arts Members Exhibition, Riverhead NY 2020

  • 2019

    Guild Hall Members Exhibition, Award, East Hampton, NY 2019

  • 2019

    VSOP Projects, Winter Salon, Greenport NY 2019

  • 1985

    East End Arts and Humanities Council, Riverhead NY

  • 1984

    Bank Street College, Group Show, New York

  • 1983

    Sperry Building, Group Show, New York

  • 1983

    Warner Communications Gallery, Group Show, New York

  • 1983

    New York University Graduate School of Business, Group Show, New York

  • 1982

    Cork Gallery, Lincoln Center, Group Show, New York

  • 1982

    The Salmagundi Club, Society of Contemporary Artists, Group Show, New York

  • 1981

    “Contemporary Stone Sculptors Group Exhibit,” School for Visual Arts Gallery, New York

PUBLIC WORKS

  • 2018

    "Four by Four Spread", Bamboo 4' x 4' x 18', Center for Environmental Education and Discovery, Brookhaven, NY

  • 2018

    “Furrow”, Honey Locust, Graphite, Steel, Southold, NY

  • 1984

    “Stand”, Painted steel, Cortelyou Branch Brooklyn Public Library

  • 1984

    “Opus 1276,” Vermont Marble, Otter Creek Park, Vergennes, Vermont. Grant from the Vermont Council on the Arts

  • 1984

    Marble Sculptures, Battery Park Sculpture Project, Battery Park, Burlington, Vermont

  • 1984

    Marble sculpture, South Burlington Middle School South Burlington, Vermont. Grant from the Vermont Council on the Arts